• William MORRIS, un univers

     Fait de travail, d'amitié et de rêves.

    William MORRIS, Arts and Crafts

       Entrée de Kelmscott Manor (près de Lechlade, en Gloucester), résidence d'été de William MORRIS, sa famille, Dante-Gabriele ROSSETTI et leurs amis.

     Source : https://www.tripadvisor.com.au/Attraction_Review-g503804-d519651-Reviews-Kelmscott_Manor-Kelmscott_Gloucestershire_England.html


    William MORRIS, Arts and Crafts

       Détail de vitrage à Red House, première maison de WIlliam MORRIS : http://wmmorrisfanclub.blogspot.fr/2010/07/red-house-hallwayswelcome.html


          "A Little Garden-Close

       I know a little garden-close

       Set thick with lily and red rose,

       Where I would wander if I might

       From dewy dawn to dewy night,

       And have one with me wandering"

                                                  - William MORRIS
              from "The Life and Death of Jason" 1867.
       "The term "garden-close" refers to a garden enclosed by trees or hedges. The site which the Red House is situated on was covered and surrounded by apple orchards at the time the house was first built. Morris chose the site for the setting of his new wedding home to share with his wife-to-be, Jane Burden. The house was consciously designed to keep the landscape intact while accommodating Morris' particular preferences in gardening. Morris and Webb are said to have thoughtfully planned the garden during or even before the completed design of the Red House; whereas in the case of other property, the garden would typically be designed after the house was built.

       Like the house itself, the garden draws heavily from its environment created from both native species and imported species suited to the landscape, counter to the trend of heated greenhouses to support unfit, imported plant species. Morris was an ardent critic of many Victorian gardening practices, and therefore he held particular distaste for "carpet-bedding".
       Though Morris is largely credited for the design of the garden, WEBB also played a key role in its inception. Like Morris, Webb was as a keen naturalist. In his plans for the Red House, diagrams illustrating the garden's arrangement can be seen as well as a list of plant species to be used. No longer apparent today, it is believed the original stylistic intent of the garden was to provide Victorians a romantic image of medieval life as depicted in manuscript illustrations from the 15th century.
       The house, which would otherwise have looked far more strict and bare, is aesthetically enhanced by the garden, with vegetation covering the site and climbing up the red brick walls. Originally, the Red House's conical well, which is often said to sum up the entire building, was covered by a large trellis full of roses. This strengthened the notion that the area surrounding the well operated as an exterior room to the house. Arts & Crafts historian Fiona MACARTHY credits the Red House garden as having embodied the guiding principles of the Arts and Crafts garden movement years before it came into full swing.
       Morris viewed the garden not only as a pleasant amenity afforded only to the wealthy, but as an essential component of human well-being in the city :
     "It will be a key to right thinking about gardens if you consider in what kind of places a garden is most desired. In a very beautiful country, especially if it be mountainous, we can do without it well enough; whereas in a flat and dull country we crave after it, and there it is often the very making of the homestead. While in great towns, gardens, both private and public, are positive necessities if the citizens are to live reasonable and healthy lives in body and mind."
     - William Morris 
     from "Hopes and Fears for Art", a collection of his lectures during the late 1870s.

         The Gardens of William Morris (2006), by Jill DOUGLAS-HAMILTON, Duchess of Hamilton and BrandonPenny HartJohn Simmons.

    William MORRIS, un univers Arts and Crafts

       "Tissu de William Morris © Museums Worcestershire". Source : http://tldtouteladecoration.com/2012/12/27/le-mouvement-art-craft/


    William MORRIS, Arts and Crafts

       Vue ancienne de Red House à Bexley Heath (Londres, 1859 ?) et une partie du plan de RDC, Philip WEBB (1831-1915) architecte (ami de William MORRIS, il reniera ce projet, car impardonnable œuvre de jeunesse, à ses yeux). Source : http://wmmorrisfanclub.blogspot.fr/2010/07/red-house-hallwayswelcome.html

       "(...) celle-ci devait être la seule demeure que Morris se construisit. Dans ce projet, propriétaire et architecte mettaient pour la première fois leurs théories en pratique (...)." Peter DAVEY (1987), Architecture Arts & Crafts, trad. de l'anglais par Stéphane RENARD, Pierre Mardaga éditeur, Liège, 1987, p. 41.


    William MORRIS, Arts and Crafts

    William MORRIS, Arts and Crafts

         Dans Red House, toujours : "Main entrance, painted cupboard of Morris' friends and family on the right" et petits vitraux mosaïques de la porte principale de la maison. Sources : http://groupblue3.blogspot.fr/p/morphology_10.html & http://groupblue3.blogspot.fr/p/image-gallery.html


       Pour une visite de Kelmscott Manor (avec pour guide Barbara CASTLE). Source : https://www.youtube.com/watch?v=c1Uq7gxKx6c

       Visite de Red House, en 2 temps :

        Source : https://www.youtube.com/watch?v=dn1PHpfshok


    William MORRIS, Arts and Crafts

        Dessin du puits de Red House (1859) qui était donc couvert de roses, Philip Webb architecte. Source : http://groupblue3.blogspot.fr/p/morphology_10.html

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